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This update enhances your RED workflow with the following features: Adobe Premiere Pro CS5, version 5.0.2 incorporates compatibility updates that keep pace with the ongoing evolution of the RED Digital Cinema cameras. As an Adobe Premiere Pro CS5 user, your workflow just got even better with compatibility updates included in the 5.0.2 updater. Adobe Device Central Integrates with new Adobe CS Live online services*.Īdobe Premiere Pro CS5 provides several specific benefits that make editing, finishing, and delivering RED R3D media easier, more flexible, and more efficient.Adobe Encore CS5 Additional components:.Adobe Premiere Pro preserves the high resolution and high quality RED R3D images, while providing a powerful, flexible, and accessible means of editing, grading, and delivering those images.Īdvantages of using Adobe Premiere Pro CS5 Adobe Creative Suite 5 Production Premium combines: However, this high resolution also generates very large files-a distinct challenge for post-production. The ultra-high resolution of the images captured by the camera yield a depth of field equivalent to that of Super 35mm film cameras, a distinct benefit for cinematography.
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The combination of RED cameras with Adobe Premiere Pro creates a 4K production and post-production workflow that is within reach of a wide range of digital cinema productions, and robust enough for the most demanding projects. RED Digital Cinema enables high-resolution tapeless cinematography through cameras that capture images with more than four times the resolution of the best HD cameras. Support for the latest firmware, including FLUT Color Science, helps ensure the highest quality imagery as you edit and finish content in all common RED R3D file permutations, including 2K, 3K, 4K, 4.5K, 4K HD, 16x9, and 2x1, using a number of different frame rates.Īdobe Premiere Pro CS5 is also available as a component of Adobe Creative Suite® 5 Production Premium and Adobe Creative Suite 5 Master Collection. Import R3D files directly into Adobe Premiere Pro software without transcoding or rewrapping, and easily switch among resolutions for playback to meet the performance and image quality needs of every post-production task.
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What’s included: Įxperience breakthrough performance and a faster, color-rich workflow for content created on RED cameras, with real-time editing and accelerated output thanks to the native 64-bit Mercury Playback Engine.
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Using Adobe® Premiere® Pro CS5 with RED Digial Cinema content Adobe Systems Incorporated and RED Digital Cinema Camera Company have collaborated to bring a truly native, color-rich, 4K tapeless workflow to Adobe Creative Suite® 5 software, allowing filmmakers to harness the full potential of high-resolution raw digital cinematography on the desktop.